I’m still in London, one day left at work to go. Over in Malmö
it’s been quite a day in the rehearsal stakes. You can see today’s official
snippets over at eurovision.tv and them’s what I’ve based these early views on.
Montenegro – are the new Latvia 2003 in that they’re saying
hello from Mars, the two rappers bedecked in space suits whilst your woman pops
up from under the floor. It’s an old stage trick, but you usually expect it
whilst somebody’s sat on an enormous organ. Rigi has coined the term Montenauts,
but as I’m given to this song I think I’ll change it to Montynauts. It’s bonkers
and adds exactly no further insight as to how well they’ll fare next Tuesday.
Belgium – I’ll do them here in today’s rehearsal order
although on the night he’ll be later, having swapped with Lithuania. Roberto
sings of his unsteady girlfriend (Love Keels Over, & Over) with two flighty
pieces who look like they might quite easily trip up themselves flouncing
around him. I think this might be distracting if they keep it up, and the song
doesn’t need it. I’ve had this in my head all day after just this small clip,
and I really think this could do some unexpected business.
Belarus – Alyona should be calling her song So-Gay-Oh as she
emerges from a glitterball and jigs around vigorously on stage doing some moves
I imagine might be illegal in Belarus. I’m a bit bored by this I’m afraid
though I do see it having some appeal, but even within her all-too-obvious target
market I feel we’ve moved on.
Moldova – there must be something in the water that’s making
people uncannily tall in Malmö. First we had Zlata’s enormous ego, sorry, Igor
carrying her on to her plinth, and now we have a Sarah Dawn Finer moment as
Aliona (no relation to Belarusian Alyona) shoots up into the air on a winch
whilst Mount Vesuvius erupts all over her frock. I think this is one to watch.
Ireland – we have a backdrop of Celtic crosses and a
foredrop of Celtic faux-tattoos on topless boys in this. It’s all breasts and
bodhrains as Ireland crank up the temperature. I still rate this as in with a
chance of extending that Irish lead on the medals table and it looks like we’re
getting a good lively performance of this. I’m looking forward to seeing in on
screen though as it could seem a tad overcooked, but for the moment I’m happy
to assume it’s not.
Cyprus – there’s not a lot you can do with this other than
stage it simply and elegantly and let the song speak for itself, and that’s
precisely what Cyprus has gone for. I do like the song, but it’s got its work
cut out for it with everything else that’s going on around it. That may of
course be its making. I’m not overly struck on the frock; it looks like it’s
revealing more than it does but this is distracting as it draws unnecessary
attention away from the song.
Lithuania – stage presence was always going to be Andrius’
challenge and without seeing this on camera it’s impossible to tell how he’s
going to come across. The shades were probably in response to his lively
eyebrows but they’ll be a disaster on the night for what engagement he can
muster. It’s a shame as he’s really quite likeable.
Serbia – you’ll recall that in my Countdown I suggested the
girls were dressed by the Serbian Ann Summers. Well, it turns out that Ann
Summers is the Serbian for jumble sale. Dear oh dear, these outfits are, at the
most generous, ill-advised. The angel/devil concept was the one thing that
conveyed the song’s message, if you’re the kind of person for whom Serbian
doesn’t come readily (and I’m yet to meet a Serb who doesn’t) so ditching it
hampers the conveyance of that message. I hope they have some different ones in
reserve.
I’ll be back tomorrow with my views on day 3 before Rosé and
I are off to Malmö on Thursday. Ooh it’s exciting!
Monty x
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